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Папанек Виктор

^{___. Problems of Design. New York: Whitney Publications, 1957.}

^{Newton, Norman T. An Approach to Design.}

^{Boston: Addison-Wes-ley Press, 1951.}

^{Niece, Robert С Art: An Approach.}

^{Dubuque, Iowa: William C, Brown & Co., 1959.}

^{Papanek, Victor. «Big Character» Poster No. 1: Work Chart for Designers,}

^{Charlottenlund, Denmark: Finn Sloth Publications, 1973.}

^{___. Design For Human Scale.}

^{New York: Van Nostrand Rein-hold, 1983.}

^{___. "Die Aussicht von Heute" [The view from today]}

^{in Design ist Unsichtbar (Design is Invisible).}

^{Vienna, Austria: Locker Verlag, 1981.}

^{___. "Kymmenen Ymparistoa" [Environments for discovery].}

^{Ornamo magazine (bilingual). Helsinki, Finland: February, 1970.}

^{___. "Socio-Environmental Consequences of Design"}

^{In Health & Industrial Growth. Holland:}

^{Associated Scientific Publishers, 1975. (CIBA Symposium XXII).}

^{___. "Areas of Attack for Responsible Design"}

^{In Man-made Futures. London: Hutchinson, 1974.}

^{___. "Friendship First, Competition Second"}

^{Casabella (Milan), December 1974.}

^{___. "Project Batta Koya" Industrial Design, July-August 1975.}

^{___. "On Resolving Contradictions Between Theory and Practice"}

^{Mobilia (Denmark), July-August 1974.}

^{Papanek, Victor, and Hennessey, James. How Things Don't Work.}

^{New York: Pantheon Books, 1977.}

^{___. Nomadic Furniture. New York: Pantheon, 1973.}

^{___. Nomadic Furniture 2. New York: Pantheon, 1974.}

^{Pentagram. Living by Design. London: Lund Humphries. 1978.}

^{___. Pentagram. London: Lund Humphries, 1972.}

^{Pile, John F. Design. Amherst: University of Massachusetts Press, 1979.}

^{Potter, Norman. What is a Designer. Things, Places, Messages.}

^{London: Hyphen Press, 1980.}

^{Pye, David. The Nature & Aesthetics of Design.}

^{New York: Van Nostrand Reinhold, 1978.}

^{Rand, Paul. Thoughts on Design. London: Studio Vista, 1970.}

^{Schumacher, E. F. Good Work. New York: Harper & Row, 1979.}

^{Vignelli, Massimo, and Vignelli, Leila. Design: Vignelli.}

^{New York: Rizzoli, 1981.}

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^{Aluminum Company of America. Design Forecast No. 1&.N0. 2.}

^{Pittsburgh: Aluminum Company of America, 1959, 1960.}

^{Beresford, Evans J. Form in Engineering Design.}

^{Oxford: Clarendon Press, 1954.}

^{Black, Misha. Australian Papers. Melbourne: Trevor Wilson, 1970.}

^{Braun-Feldweg, Wilhelm. Industrial Design Heute.}

^{Hamburg, Germany: Rowohlt, 1966.}

^{___. Normen und Formen Industrieller Produktion.}

^{Ravensburg, Germany: Otto Maier, 1954.}

^{Chase, Herbert. Handbook on Designing for Quantity Production.}

^{New York: McGraw-Hill, 1950.}

^{The Design Collection: Selected Objects.}

^{New York: Museum of Modern Art, 1970.}

^{Doblin, Jay. One Hundred Great Product Designs.}

^{New York: Rein-hold, 1969.}

^{Drexler, Arthur. Introduction to Twentieth Century Design.}

^{New York: Museum of Modern Art, 1959.}

^{___. The Package. New York: Museum of Modern Art, 1959.}

^{Dreyfuss, Henry. Designing for People.}