Экономика символического обмена
Шрифт:
Happel S., Jennings M. Creating a Futures Market for Major Event Tickets: Problems and Prospects // CATO Journal, Vol. 23, № 3, Winter 2002. Р. 443–461.
Harisson P. The Rational Street Performer Protocol [on-line]. [cited Aug. 2003]. Available from URL: <http://www.logarithmic.net/pfh? action=random>.
Heilbrun J.,Gray Ch.M. The Economics of Art and Culture – An American Perspective. Cambridge: Cambridge University Press, 1993.
Herlocker J.L., Konstan J.A., Borchers A., Riedl J. An Algorithmic Framework for Performing Collaborative Filtering // Proc. 22nd Ann. Int’l ACM SIGIR Conf. Research and Development in Information Retrieval (SIGIR’99), 1999.
Herlocker J.L., Konstan J.A., Terveen L.G., Riedl J.T. Evaluating Collaborative Filtering Recommender Systems // ACM Transactions on Information Systems, Vol. 22, № 1, 2004.
Herlocker J.L., Konstan J.A. Content-Independent Task-Focused Recommendation // IEEE Internet Computing, Vol. 5, № 6, November/December 2001. Р. 40–47.
Heylighen F. Collaborative Filtering. Principia Cybernetica Project [on-line], 2001 [cited Feb. 28, 2005]. Available from URL: <http://pespmc1.vub.ac.be/COLLFILT.html>.
Hirsch F. The Social Limits of Growth. Cambridge: Harvard University Press, 1976.
Hoberman J. Ten Years That Shook the World. American Film 10 (June), 1985. P. 34–39, 42–49, 52–59.
Hofmann T. Collaborative Filtering via Gaussian Probabilistic Latent Semantic Analysis // Proc. 26th Ann. Int’l ACM SIGIR Conf., 2003.
Hougaard J.L., Lindeneg K., Tvede M. Selling Digital Goods on the Internet [on-line]. University of Copenhagen, October 2002 [cited Aug. 2003]. Available from URL: <http://www.econ.ku.dl>.
Hu M., Liu B. Mining and Summarizing Customer Review // Proc. 10th ACM SIGKDD, 2004. Р. 168–177.
Hubble J. The Effectiveness of Movie Ratings. Working Paper [on-line], May 7, 1997 [cited July 14, 2003]. Available from URL: <http://www.geocities.com/Athens/6378/pols306.html>.
Hurt R.M., Schuchman R.M. The Economic Rationale of Copyright // American Economic Review, Vol. 56, Issue 1/2, March 1966. P. 421–432.
IFPI, Digital Music Report’05 [on-line], International Federation of the Phonographic Industry, January 2005 [cited July 15, 2005]. Available from URL: <http://www.ifpi.org/site-content/library/digital-music-report-2005.pdf>.
IFPI, Global music sales fall by 7.6% in 2003 – some positive signs in 2004 [on-line], International Federation of the Phonographic Industry, April 7, 2004 [cited Sept. 20, 2004]. Available from URL: <http://www.ifpi.org/site-content/statistics/worldsales.html>.
IFPI, Online Music Report 2004 [on-line], International Federation of the Phonographic Industry, 2004 [cited Sept. 20, 2004]. Available from URL: <http://www.ifpi.org/site-content/library/online-music-report-2004.pdf>.
IFPI, The Recording Industry Commercial Piracy Report 2004 [on-line], International Federation of the Phonographic Industry, 2004 [cited Sept. 25, 2004]. Available from URL: <http://www.ifpi.org/site-content/library/piracy2004.pdf>.
Inglehart R. Culture Shift in Advanced Industrial Society // Princeton: Princeton University Press, 1990.
Kahneman D., Knetsch J., Thaler R.H. Anomalies: The Endowment Effect, Loss Aversion and Status Quo Bias // Journal of Economic Perspectives, Vol. 5, № 1, Winter 1991.
Kelejian H.H., Lawrence W.J. Estimating the Demand for Broadway Theater: A. Preliminary Inquiry // Hendon W.S., Shanahan J.L., MacDonald A.J. Economic Policy for the Arts. Cambridge: Abt Books, 1980. P. 333–346.
Kelsey Group. Online Ticketing Outlook. Princeton, N.J., 1999.
Kelsey J., Schneier B. The Street Performer Protocol and Digital Copyrights // First Monday, Vol. 4, № 6, June 7, 1999.
Kelsey J., Schneier B. The Street Performer Protocol. The Third USENIX Workshop on Electronic Commerce Proc. [on-line]. USENIX Press, November 1998 [cited Aug. 2004]. Available from URL: <http://www.counterpane.com/street_performer.html>.
Kenney R.W., Klein B. The Economics of Block Booking // Journal of Law and Economics, Vol. 26(3), 1983. Р. 497–540.
King T. Patronage and Market in the Creation of Opera Before the Institution of Intellectual Property // Journal of Cultural Economics, Vol. 25(1), 2001. Р. 21–45.
Konstan J.A., Miller B.N., Maltz D., Herlocker J.L., Gordon L.R., Riedl J. GroupLens: Applying Collaborative Filtering to Usenet News // Comm. ACM, Vol. 40, № 3, 1997. Р. 77–87.
Krueger A. Supply and Demand: An Economist Goes to the Super Bowl // Milken Institute Review: A Journal of Economic Policy, Vol. 3(2), 2001. Р. 22–29.
Krueger A. The Economics of Real Superstars: The Market for Rock Concerts in the Material World. Working Paper, Princeton University, April 2004.
Kumar R., Raghavan P., Rajagopalan S., Tomkins A. Recommendation Systems: A Probabilistic Analysis // Journal of Computer and System Sciences, Vol. 63, № 1, 2001. Р. 42–61.
Landes W.M., Posner R.A. An Economic Analysis of Copyright Law // Journal of Legal Studies, Vol. 18, 1989. Р. 325–363.
Landes W.M., Posner R.A. Indefenitely Renewable Copyright. University of Chicago Law & Economics, Olin Working Paper, №154.
Landsburg S.E. Why Popcorn Costs More at the Movies and Why the Obvious Answer Is Wrong (1993) // Landsburg S.E. The Armchair Economist: Economics and Everyday Life. New York: Simon and Schuster, 1995.
Law K. Music Industry Structure: RIAA Enemy № 1 – Wal-Mart, Not Kazaa [on-line]. October 2003 [cited Jan. 4, 2005]. Available from URL: <http://www.pacificavc.com/>.
Law K. Music Industry Structure: Why Madonna Never Complains [on-line], September 2003 [cited Jan. 4, 2005]. Available from URL: <http://www.pacificavc.com/blog/2003/09/a376>.