Творец, субъект, женщина: Стратегии женского письма в русском символизме

Эконен Кирсти

Cixous and Cl'ement 1986

H'el`ene Cixous and Catherine Cl'ement: The Newly Born Woman. Minneapolis: University of Minnesota Press.

Clowes 1988

E. W. Clowes: The Revolution of Moral Consciousness: Nietzsche in Russian Literature 1890–1914. DeKalb (русский перевод: Клюс, Эдит: Ницше в России: революция морального сознания. Санкт-Петербург: Академический проект).

Clowes 1996

Edith Clowes: The Limits of Discourse: Solov’ev’s Language of Syzygy and the Project of Thinking Total Unity. — Slavic Review 1996. Vol. 55. № 3. 552–566.

Colonial Discourse and Post-Colonial Theory 1994

Colonial Discourse and Post-Colonial Theory: A Reader. Edited and introduced by Patrick Williams and Laura Chrisman. New York: Columbia UP.

Cooper 1997

Nancy L. Cooper: Secret Truths and Unheard-of Women: Poliksena Solov’eva’s Fiction as Commentary on Vladimir Solov’ev’s Theory of Love. — The Russian Review 1997. Vol. 56. № 2. April. 178–191.

Cooper 1999

Nancy Lynn Cooper: Poliksena Solov’eva — Russian Women Writers. Vol. I. Ed. Christine D. Tomei. New York and London: Garland. 583–604.

Costlow 1997

Jane Costlow: The Gallop, the Wolf, the Caress: Eros and Nature in The Tragic Menagerie. — The Russian Review. 1997. Vol 56. № 2. April. 192–208.

Costlow 1999

Jane Costlow. Lidiia Zinov’eva-Annibal. — Russian Women Writers. Vol. 1. Ed. Christine D. Tomei. New York and London: Garland. 443–458. de Courten 2003

Manon de Courten: History, Sophia and the Russian Nation: A Reassessment of Vladimir Solov’ev’s View on History and His Social Commitment. Bern: Peter Lang.

Cowie 1990

Elizabeth Cowie: Woman as Sign. — The Woman in Question: m/f. Edited by Parveen Adams and Elizabeth Cowie. Cambridge, Massachusetts: The MIT Press. 117–133.

Creating Life 1994

Creating Life: The Aesthetic Utopia of Russian Modernism. Edited by Irina Papemo and Joan Delaney Grossman. Stanford, Cal.: Stanford UP.

Cultural Mythologies 1992

Cultural Mythologies of Russian Modernism: from the Golden Age to the Silver Age. Ed. by B. Gasparov et al. (California Slavic Studies: 15). Berkeley.

Curran 1986

Stuart Curran: Poetic Form and British Romanticism. New York: Oxford UP.

Daly 1978

Mary Daly: Gyn / Ecology: The Metaethics of Radical Feminism. Beacon Press.

Dauthendey Elisabeth 1900

Dauthendey Elisabeth: Vom neuen Weibe und seiner Liebe. Ein Buch f"ur rei-fe Geister. Berlin: Schuster & Loeffler.

Davidson 1989

Pamela Davidson: The Poetic Imagination of Vyacheslav Ivanov: A Russian Symbolist’s Perception of Dante. Cambridge: Cambridge UP.

Davidson 1996

Pamela Davidson: Lidiia Zinov’eva-Annibal's The Singing Ass: A Woman’s View of Men and Eros. — Gender and Russian Literature: New Perspectives. Transl. and ed. by Rosalind Marsh. Cambridge. 155–183.

DeKoven 1991

DeKoven M. Rich and Strange: Gender, History, Modernism. Princeton. de Vries 1974

A de Vries: Dictionary of Symbols and Imagery. Amsterdam; London.

Delany Grossman 1985

Joan Delany Grossman: Valery Bryusov and the Riddle of Russian Decadence. Berkeley, Los Angeles, London: University of California Press.

Delaney Grossman 1994

Joan Delaney Grossman: Valery Briusov and Nina Petrovskaia: Clashing Models of Life in Art. — Creating Life. Stanford UP. 122–150.

Derrida 1979

Jacques Derrida: L'ecriture et la difference. Paris (ориг.

изд.: 1967).

Diamond 1989

Elin Diamond, Mimesis, Mimicry, and the 'True-Real' — Modem Drama 1989. № 32. 58–72.

Dictionary 1994

Dictionary of Russian Women Writers. Ed. by M. Ledkovsky, C. Rosenthal and M. Zirin. Westport, Conn.: Greenwood.

Dijkstra 1986

Bram Dijkstra: Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Si`ecle Culture. New York; Oxford: Oxford UP.

Le Doeuff 2002

Mich'ele Le Doeuff: The Philosophical Imaginary. London; New York: Continuum.

DuPlessis 1985

Rachel Blau DuPlessis: Writing beyond the Ending. Bloomington: Indiana UP.

D"allenbach 1989

Lucien D"allenbach: The Mirror in the Text. Chicago UP.

Ebert 1992

C. Ebert: Zinaida Gippius — eine antiweibliche Dichterin? — Slavistische Beitrage; 297: Russland aus der Feder seiner Frauen zum femininen Diskurs in der russischen Literatur. Munchen: Verlag Otto Sagner.

Ebert 2000

Christa Ebert: Die symbolistische Inszenierung der Pers"onlichkeit: Die «dekadente madonna» der Zinaida Gippius. — Der russische Symbolismus: zur sinnli-chen Seite seiner Wortkunst. Hg. Andreas Ohme, Ulrich Steltner. (Specimina Philologiae Slavicae, Band 128). M"unchen. 25–46.

Ebert 2002

Christa Ebert: Der Liebes-Diskurs in der russischen Moderne: Zinaida Gippius. — Schriften — Dinge — Phantasmen: Literatur und Kultur der russischen Moderne 1. Hrsg. Mirjam Goller, Susanne Str"atling. M"unchen. (Wiener Slawistischer Almanach, Sonder-band 56). 39–61.