Демон и Лабиринт (Диаграммы, деформации, мимесис)
Шрифт:
Соммер 1975: Saly R. Sommer. Lote Fuller.
– - The Drama Review, v.19, n° 1, March 1975, p. 53-67.
Старобински 1974: Jean Starobinski. "Je hais comme les portes d'Hades..." -- Nouvelle revue de psychanalyse, n° 9, printemps 1974, p. 7--22.
Стаффорд 1984: Barbara Maria Stafford. Characters in Stones, Marks on Paper: Enlightenment Discourse on Natural and Artificial Taches.
– - Art Journal, v. 44, n° 3, Fall 1984, p. 233-244.
Стейнберг 1980: Leo Steinberg. The Line of Pate in Michelangelo's Painting.
– - Critical Inquiry, v. 6, n° 3, Spring 1980, p. 411--454.
Стивенсон 1950: Selected Writings of Robert Louis Stevenson. New York, Random House.
Стриндберг 1984: August Strindberg. Inferno. From an Occult Diary. Harmondsworth, Penguin Books.
Стриндберг 1992: August Strindberg. On the action of light on photography: Reflection occasioned by the X-rays.
– - In: Comparative Criticism, v. 14. Cambridge, Cambridge University Press, 1992, p. 175--181.
Стролл 1988: Avrum Stroll. Surfaces. Minneapolis. University of Minnesota Press.
Сури 1893: Jules Soury. Origine et nature du mouvemnet organique.
– Revue philsophique, t. 36, Juillet-dec. 1893, p. 32--55.
Сурио 1969: Etienne Souriau. La correspondance des arts. Paris, Flammarion.
Сушаль 1977: Francois Souchal. French Sculptors of the 17th and 18th Centuries. The Reign of Louis XIV. Illustrated catalogue, t. 2, Oxford, Cassirer.
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Сю 1954: Eugene Sue. Les Mysteres de Paris. Paris, Fayard.
Тарасенков A T. 1952:
– - В кн.: Гоголь в воспоминаниях современников. М., Гослитиздат, 1952, с. 511--525.
Тард 1890: G. Tarde. Les lois de 1'imitation. Paris, Fe1ix Alcan.
Тауск 1988: Victor Tausk. On the Origin of the "Influencing Machine" in Schizophrenia.-- In: Essential Papers on Psychosis. Ed. by Peter Buckley. New York -- London, New York University Press, p. 49--77.
Тевеляйт 1987: Klaus Theweleit. Male Fantasies, v. 1: Women, Floods, Bodies, History. Minneapolis. Minnesota University Press.
Терц Абрам (Андрей Синявский) 1992: В тени Гоголя.
– - В кн.: Абрам Терц. Собр. соч. в двух томах, т. 2. М., Старт, 1992, с. 3--336.
Този 1984: Virgilio Tosi. II cinema prima di Lumiere. Torino, ERI Edizioni Rai.
Томпсон 1992: G.R. Thompson. The Arabesque Design of Arthur Gordon Рут.
– - In: Poe's Pym: Critical Explorations. Ed. by Richard Kopley. Durham -- London, Duke University Press, p. 188--216.
Торт 1980: Patrick Tort. L'ordre et les monstres. Paris, Le Sycomore.
Трауэр 1972: Norman J. W. Thrower. Maps and Man. An Examination of Cartography in Relation to Culture and Civilization, Englewood-Cliffs, Prentice-Hall.
Туркин В. 1925: Кино-актер. М., Кино-издательство РСФСР. Тынянов Ю. Н. 1959: Сочинения в трех томах, т. 1. М.-Л.,
Уиллемен 1994: Paul Willemen. Looks and Frictions. Bloomington-Indianapolis-London, Indiana University Press -- BFI.
Фаджиоло 1980: Marcello Fagiolo. II giardino come teatro del mondo e delta memoria.
– - In: La citta effimera e 1'universo artificiale del giardino: La Firenze dei Medici e 1'Italia dell' 500. A cura di Marcello Fagiolo. Roma, Officina, p. 125--141.
Фенгер 1979: Donald Fanger. The Creation of Nikolai Gogol. Cambridge, Mass.
– - London, The Belknap Press.
Ференци 1938: Sandor Ferenczi. Thalassa. A Theory of Genitality. New York, The Psychoanalitic Quarterly.
Фидлер 1978: Leslie Fiedler. Freaks. Myths and Images of the Secret Self. New York, Simon and Schuster.
Филопон 1991: Place, Void, and Eternity. Philoponus: Corollaries on Place and Void. Simplicius: Against Philoponus on the Eternity of the World. Ithaca, Cornell University Press.
Фламмарион б.г.: -- Camille Flammarion. Clairs de Lune. Paris, Flammarion.
Флобер Гюстав 1936: Искушение Святого Антония. Пер. М. А. Петровского и М. В. Вахтеровой.
– - В кн.: Г. Флобер. Собр. соч. в десяти томах, т. 4. М., Худлит.
Флобер Гюстав 1989: Госпожа Бовари. Повести. Лексикон прописных истин. М., Худлит.
Фор 1927: Elie Faure. Histoire de 1'art. L'Esprit des formes. Paris, Cres.
Фореггер Н. 1926: А почему? (Вместо предисловия).
– - В кн.: Евг. Петров. Что должен знать кино-актер. М., Кинопечать, 1926, с. 3--4.
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Фосийон 1963: Henri Focillon. The Art of the West in the Middle Ages, v. 1: Romanesque Art. London, Phaidon.
Фрейд 1963: Sigmund Freud. Screen Memories.-- In: S. Freud. Early Psychoanalitic Writings. N.Y., Collier Books, p. 229--250.
Фрейд 1963а: Sigmund Freud. Further Recommendations in the Technique of Psycho-analysis. Recollection, Repetition and Working Through.
– - In: S. Freud. Therapy and Technique. New York, Collier Books, p. 167-180.
Фрейд 19636: Sigmund Freud. The "Uncanny".
– - In: S. Freud. Studies in Parapsychology. Ed. by Philip Rieff. New York, Collier Books, p. 19--62.
Фрейд 1963в: Sigmund Freud. Psychoanalytic Notes upon an Autobiographical Account of a Case of Paranoia (Dementia Paranoides).
– - In: S. Freud. Three Case Histories. New York, Collier Books, p. 103--186.
Фрейд 1963г: Sigmund Freud. A Mythological Parallel to a Visual Obsession. In: S. Freud. Character and Culture. Ed. by Ph. Rieff. New York, Collier Books, p. 152--154.
Фрейд 1963д: Sigmund Freud. Hypnotism and Suggestion. ~ In: S. Freud. Therapy and Technique. Ed. by Ph. Rieff. New York, Collier Books, p. 27--39.