Свободное движение и пластический танец в России
Шрифт:
Flournoy T. Chor'eographie somnambulique. Le cas de Magdeleine G. // Archives de рsychologie de la Suisse romande. 1904. T. 3. P. 357–374.
Foster S.L. Dancing bodies // Meaning in Motion: New Cultural Studies of Dance / Ed. J.C. Desmond. Durham and London: Duke U.P., 1997. P. 235–257.
Franko M. The Work of Dance: Labor, Movement, and Identity in the 1930s. Middletown, CN: Wesleyan U.P., 2002.
Fuller L. Danseuse de l’art nouveau. Paris: 'Editions de la R'eunion des mus'ees nationaux, 2002.
Galtsova E. Du spleen `a la danse: Paris dans La Pension Maubert, m'emoires in'edits de Valentin Parnak // Paris-Berlin-Moscou: Regards crois'es (1918–1939) / Dir. W. Asholt, C. Leroy. Paris: Universit'e Paris-X, 2006. P. 67–84.
Garafola L. Soloists abroad: The Pre-war careers of Natalia Trouhanova and Ida Rubinstein // Experiment. 1996. Vol. 2.
Gert V. Je suis une sorci`ere. Kal'eidoscope d’une vie dans'ee / Traduit de l’allemand et annot'e par P. Ivernel. Bruxelles: Editions Complexe, 2004.
Gilbert L. Danser avec le IIIe Reich. Les danseurs modernes sous le nazisme. Paris: 'Editions Compl`exe, 2000.
Gilman C. The Fox-trot and the New Economic Policy: A Case-study in «thingification» and cultural imports // Experiment. 1996. Vol. 2. P. 443–476.
Ginner R. The Technique of the Revived Greek Dance. London: The Imperial Society of Teachers of Dancing, 1963.
Golinski J. Making Natural Knowledge: Constructivism and the History of Science. Cambridge: Cambridge U.P., 1998.
Goodbridge J. Rhythm and Timing of Movement in Performance: Drama, Dance and Ceremony. London and Philadelphia: Jessica Kingsley Publs, 1999.
Gordon M. Valentin Parnakh, apostle of eccentric dance // Experiment. 1996. Vol. 2. P. 423–441.
Gremlicov'a D. Isadora in Bohemian spas (Forgotten events) // Remembering Isadora Duncan – Eml'ekk"onyv. Budapest: Orkestika Alaptvany, 2002. Р. 63–70.
Hadot P. The Veil of Isis: An Essay on the History of the Idea of Nature / Transl. M. Chase. Cambridge, MA, and London: The Belknap Press of Harvard UP, 2006.
Halphen D. et Pontan M. M'ethode Hellerau-Laxenburg // Archives Internationales de la Danse. 1935. № 5. P. 16–17.
Haraway D.J. Simians, Cyborgs, and Women: The Revolution of Nature. New York: Routledge, 1991.
Hartmann T., Hartmann O. Our Life with Mr Gurdjieff / Ed. T.C. Daly and T.A.G. Daly. London: Penguin Arkana, 1992.
Hellebust R. Flesh to Metal: Soviet Literature and the Alchemy of Revolution. Ithaca: Cornell U.P., 2003.
Henderson L.D. Cubism, futurism and ether physics in the early twentieth
Hewitt A. Social Choreography: Ideology and Performance in Dance and Everyday Movement. Durham and London: Duke U.P., 2005.
Hodgson J., Preston-Dunlop V. Rudolf Laban: An Introduction to His Work and Influence. Plymouth: Northecote, 1990.
Human Movement – a Field of Study / Ed. J.D. Brooke, H.T.A. Whiting. London: Henry Kimpton, 1973.
Husserl E. Vorlesungen zur Ph"anomenologie des inneren Zeitbewusstseins / Hsg. M. Heidegger. T"ubingen, 1928.
In principio era il corpo… L’Arte del Movemento a Mosca negli anni ’20 / Ed. N. Misler. Milano: Electa, 1999.
Isadora Duncan 1827–1927: une sculpture vivante. Paris: Mus'ee Bourdelle, 2009.
Issatschenko C. Le ballet plastique et la culture physique esth'etique // Archives Internationales de la danse. 1935. № 5. P. 5–6.
Ivanova P. Kinesthetic imagination and free meaning in the work of Merce Cunningham // Свободный стих и свободный танец: движение воплощенного смысла. Сборник материалов конференции. МГУ, 1–3 октября 2010 г. М.: Факультет психологии МГУ, 2011. C. 338–358.
Johnson L. Early Russian modern dance: Lev Lukin and the Motobio-skul’ptura // Experiment. 2004. Vol. 10. Р. 11–27.
Johnstone M. The Phenomenology of Dance. New York: Books for Libraries, 1980.
Joly A. Culture physique et interpr'etation musicale // Archives Internationales de la danse. 1935. № 5. P. 15–16.
Jowitt D. Time and Dancing Image. Berkeley: U. of California P., 1988.
Karina L. and Kant M. Hitler’s Dancers: German Modern Dance and the Third Reich. New York: Berghahn Books, 2004.
Katine T. M'ethode Doroth'ee G"unter // Archives Internationales de la danse. 1935. № 5. P. 17–18.
Kerstin E. Dance and technology at the turn of the last and present centuries // Dance and Technology, Moving Towards Media Productions / Ed. S. Dinkla and M. Leeker. Berlin: Alexander Verlag, 2002. Р. 30–65.
Kintzel O. La danse, expression de l’^ame // Archives Internationales de la danse. 1935. № 5. Р. 25–26.
Klages L. Der Geist als Widersacher der Seele (1929–32, Hauptwerk in 3 B"anden). 5. Aufl. Bonn: Bouvier, 1972.