Свободное движение и пластический танец в России
Шрифт:
Koritz A. Culture Makers: Urban Performance and Literature in the 1920s. Urbana: U. of Illinois P., 2009. P. 16–17.
Koritz A. Gendered Bodies / Performing Art: Dance and Literature in Early Twentieth-century British Culture. Ann Arbor: U. of Michigan P., 1995.
Kullikki Z. Movement within nature: Boris Ender and the Geptakhor Studio // Experiment. 1996. Vol. 2. P. 293–305.
Laban R. Modern Educational Dance. London: Macdonald and Evans, 1975.
Laban R., Lawrence F.C. Effort: Economy of Human Movement [1947]. London: Macdonald and Evans Ltd, 1974.
LaMothe K.L. Nietzsche’s Dancers: Isadora Duncan, Martha Graham, and the Reevaluation of Christian Values. New York: Palgrave MacMillan, 2006.
Langer S.K. Feeling and Form: A Theory of Art Developed from
Law A. and Gordon M. Meyerhold, Eisenstein and Biomechanics: Actor Training in Revolutionary Russia. Jefferson, NC: McFarland Publs., 1996.
Loe Fuller: Danseuse de l’art nouveau / Dir. V. Thomas, J. Perrin. Paris: 'Editions de la R'eunion des mus'ees nationaux, 2002.
Lovejoy A.O. «Nature» as aesthetic norm [1927] // Lovejoy A.O. Essays in the History of Ideas. Baltimore: The Johns Hopkins U.P., 1948. Р. 69–77.
McCarren F.M. Dance Pathologies: Performance, Poetics, Medicine. Stanford: Stanford U.P., 1998.
McCarren F.M. Dancing Machines: Choreographies of the Age of Mechanical Reproduction. Stanford: Stanford U.P., 2003.
Madika. L’enseignement de la danse par la po'esie // Archives Internationales de la danse. 1935. № 5. Р. 24–25.
Magnin 'E. L’Art et l’hypnose. Interpr'etation plastique d’oeuvres litt'eraires et musicales. Gen`eve: Atar; Paris: Alcan, ca 1910.
Maleti'c V. Body, Space, Expression: The Development of Rudolf Laban’s Movement and Dance Concepts. Berlin-New York: Mouton de Gruyter, 1987.
Manning S. Ecstasy and the Demon: Feminism and Nationalism in the Dances of Mary Wigman. Berkeley: U. of California P., 1993.
Mannoni L. Georges Demeny: Pionnier du cin'ema. Paris: Pagine, 1997.
Marey 'E.-J. La Machine animale: Locomotion terrestre et a'erienne. Paris: Bailli`ere, 1873.
Marey E.-J., Demen"y G. 'Etudes de physiologie artistique faites au moyen de la Chronophotographie. Paris: Soci'et'e d’'editions scientifiques, 1893.
Marey: Pionnier de la Synth`ese du Mouvement. Beaune: Mus'ee Marey, 1995.
Marqui'e H. Les jeux de la nature dans la danse moderne contemporaine // Ecritures de femmes et autobiographie / Dir. G. Castro, M.-L. Paoli. Pessac: Maison des sciences de l’homme d’Aquitaine, 2002. P. 17–27.
Martin J. The Modern Dance. New York: A.S. Barnes, 1933.
Mehnert E. Biomechanik erschlossen aus dem Principe der Organogenese. Jena: Verlag von Gustav Fischer, 1898.
Mensendieck B. K"orperkultur der Frau. M"unchen: Brukmann, 1923.
Mensendieck B. Standards of Female Beauty. New York: Schob und Wisser, 1919.
Merleau-Ponty M. Nature / Compiled by D. S'eglard. Evanston, Ill: Northwestern U.P., 1995. P. 208–211.
Merce Cunningham: Dancing in Space and Time / Ed. R. Kostelanetz. New York: Da Capo Press, 1998.
Merz M. Memoires of the “Dance Convent” and its inhabitants // Isadora and Elisabeth Duncan in Germany / Ed. F.-M. Peter. Cologne: Wienland, 2000. P. 153–173.
Mester T.A. Movement and Modernism: Yeats, Elliot, Lawrence, Williams and Early Twentieth-Century Dance. Fayetteville: U. of Arkansas P., 1997.
Misler N. The Art of Movement // Spheres of Light. Stations of Darkness. The Art of Solomon Nikritin. Catalogo della mostra. Salonicco: State Museum of Contemporary Art, 2004. P. 362–369.
Misler N. A Choreological Laboratory // Experiment. 1996. Vol. 2. P. 169–200.
Misler N. Le corps Tayloriste, biom'ecanique et jazz `a Moscou dans les anne'es 1920 // ^Etre ensemble. Figures de la communaut'e en danse depuis le XXe si`ecle. Paris: Centre nationale de la danse, 2003. P. 103–122.
Misler N. Designing gestures in the laboratory of Dance // Russian Avant-garde Stage Design, 1913–1935 / Ed. N. van Norman Baer. San Francisco: The Fine Arts Museums of San Francisco, 1992.
Misler N. L’idole-girafe, Moscow 1920 // Experiment. 2004. Vol. 10. P. 97–103.
Moore J. Chronology of Gurdjieff’s Life [электронный текст, URL:.
Morris G. Bourdieu, the body, and Graham’s post-war dance // Dance Research. 2001. Vol. 19/2. P. 52–82.
MOTO-BIO – The Russian Art of Movement: Dance, Gesture, and Gymnastics, 1910–1930 / Ed. N. Chernova // Experiment. 1996. Vol. 2.
Nancy J.-L. Communism, the word (Notes for the London conference, March 2009) [электронный текст, URL:.
Nikolais A., Louis M. The Nikolais/Louis Dance Technique: A Philosophy and Method of Modern Dance. New York: Routledge, 2005.
Parnac V. Histoire de la danse. Paris: Les 'Edtions Rieder, 1932.
Partsch-Bergsohn I. Modern Dance in Germany and the United States: Crosscurrents and Influences. Newark, NJ: Harwood Academic Publs, 1994
Performing Art and the Avant-garde / Ed. M. Konecny // Experiment. 2004. Vol. 10.