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Жанры

Английский язык с Крестным Отцом

Франк Илья

Шрифт:

He decided he would send Connie home with the bodyguards and then he would have

a session with his brother-in-law. What would happen after that he didn't know. If the

bastard had really hurt Connie, he'd make a cripple out of the bastard. But the wind

coming over the causeway, the salty freshness of the air, cooled his anger. He put the

window down all the way.

He had taken the Jones Beach Causeway, as always, because it was usually

deserted this time of night, at this time of year, and he could speed recklessly until he hit

the parkways on the other side. And even there traffic would be light. The release of

driving very fast would help dissipate what he knew was a dangerous tension. He had

already left his bodyguards' car far behind.

The causeway was badly lit, there was not a single car. Far ahead he saw the white

cone of the manned tollbooth (будка

для сбора дорожной пошлины: toll).

There were other tollbooths beside it but they were staffed only during the day, for

heavier traffic. Sonny started braking the Buick and at the same time searched his

pockets for change. He had none. He reached for his wallet, flipped it open with one

100

hand and fingered out a bill. He came within the arcade of light and he saw to his mild

surprise a car in the tollbooth slot (щелка, щель, прорезь; /здесь/ узкий проезд возле

будки) blocking it, the driver obviously asking some sort of directions from the toll taker.

Sonny honked (to honk – кричать /о диких гусях/; сигналить /авто/) his horn and the

other car obediently rolled through to let his car slide into the slot.

Sonny handed the toll taker the dollar bill and waited for his change. He was in a hurry

now to close the window. The Atlantic Ocean air had chilled the whole car. But the toll

taker was fumbling with his change; the dumb son of a bitch actually dropped it. Head

and body disappeared as the toll man stooped down in his booth to pick up the money.

At that moment Sonny noticed that the other car had not kept going but had parked a

few feet ahead, still blocking his way. At that same moment his lateral vision caught

sight of another man in the darkened tollbooth to his right. But he did not have time to

think about that because two men came out of the car parked in front and walked

toward him. The toll collector still had not appeared. And then in the fraction of a second

before anything actually happened, Santino Corleone knew he was a dead man. And in

that moment his mind was lucid, drained of all violence, as if the hidden fear finally real

and present had purified him.

Even so, his huge body in a reflex for life crashed against the Buick door, bursting its

lock. The man in the darkened tollbooth opened fire and the shots caught Sonny

Corleone in the head and neck as his massive frame spilled out of the car. The two men

in front held up their guns now, the man in the darkened tollbooth cut his fire, and

Sonny's body sprawled on the asphalt with the legs still partly inside. The two men each

fired shots into Sonny's body, then kicked him in the face to disfigure his features even

more, to show a mark made by a more personal human power.

Seconds afterward, all four men, the three actual assassins (assassin ['sжsin] –

/наемный,

нападающий из-за угла/ убийца) and the bogus (поддельный, фиктивный)

toll collector, were in their car and speeding toward the Meadowbrook Parkway on the

other side of Jones Beach. Their pursuit was blocked by Sonny's car and body in the

tollgate slot but when Sonny's bodyguards pulled up a few minutes later and saw his

body lying there, they had no intention to pursue. They swung their car around in a huge

arc and returned to Long Beach. At the first public phone off the causeway one of them

hopped out and called Tom Hagen. He was very curt and very brisk. "Sonny's dead,

they got him at the Jones Beach toll."

Hagen's voice was perfectly calm. "OK," he said. "Go to Clemenza's house and tell

him to come here right away. He'll tell you what to do."

Hagen had taken the call in the kitchen, with Mama Corleone bustling around

101

preparing a snack for the arrival of her daughter. He had kept his composure and the

old woman had not noticed anything amiss. Not that she could not have, if she wanted

to, but in her life with the Don she had learned it was far wiser not to perceive. That if it

was necessary to know something painful, it would be told to her soon enough. And if it

was a pain that could be spared her, she could do without. She was quite content not to

share the pain of her men, after all did they share the pain of women? Impassively she

boiled her coffee and set the table with food. In her experience pain and fear did not dull

physical hunger; in her experience the taking of food dulled pain. She would have been

outraged if a doctor had tried to sedate her with a drug, but coffee and a crust of bread

were another matter; she came, of course, from a more primitive culture.

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