Курс на худшее: Абсурд как категория текста у Д.Хармса и С.Беккета
Шрифт:
FINNEY B. Since «How it is»: A Study of Beckett’s Later Fiction. London: Covent Garden press, 1972.
FITCH B.T. Beckett and Babel: An Investigation into the Status of the Bilingual Work. Toronto, Buffalo & London: University of Toronto press, 1988.
FITCH B.T. Dimensions, structures et textualite dans la trilogie romanesque de Beckett. Paris: Lettres Modemes, 1977.
FLETCHER J. Samuel Beckett’s Art. London: Chatto `a Windus, 1967.
FLETCHER J.The Novels of Samuel Beckett. London: Chatto & Windus, 1964.
FLETCHER J., SPURLING J. Beckett: A Study of his Plays. London: Methuen, 1972.
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HARRINGTON J.P. The Irish Beckett. Syracuse, N. Y.: Syracuse University press, 1991.
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HILDERBRANDT H.-H. Becketts-, Proust-Bilder, Erinnerung und Identitat. Stuttgart: J. B. Metzler, 1980.
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HOFFMAN F.J. Samuel Beckett. New York: E.D. Dutton, 1964.
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JACQUART E. Le Th'e^atre de d'erision: Beckett, Ionesco, Adamov. Paris: Gallimard, 1974.
JANVIER L. Beckett par lui-m^eme. Paris: Seuil, 1969.
JANVIER L. Pour Samuel Beckett. Paris: Minuit, 1966.
JULIET Ch. Rencontre avec Samuel Beckett. Paris: Fata Morgana, 1986.
KENNEDY S. Murphy’s Bed. Lewisburg, Pa.: Bucknell University press, 1971.
KENNER H. Flaubert, Joyce and Beckett: The Stoic Comedians. Boston: Beacon press, 1962.
KENNER H. Samuel Beckett: A Critical Study. Berkeley: University of California press, 1968.
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KNOWLSON J. Light and Darkness in the Theatre of Samuel Beckett. London: Turret Books, 1972.
KNOWLSON J. Samuel Beckett: An Exhibition. London: Turret Books, 1971.
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LEVENTHAL A.J. Samuel Beckett. Englewood Cliffs, N.J.: Prentice Hall, 1965.
MARISSEL A. Samuel Beckett. Paris: Editions Universitaires, 1963.
M EGGED M. Dialogue in the Void: Beckett and Giacometti. New York: Lumen Books, 1985.
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MERCIER V. Beckett / Beckett. New York: Oxford University press, 1978.
M"OLLER H.
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MOORJANI A. Abysmal Games in the Novels of Samuel Beckett. Chapel Hill: University of North Carolina press, 1982.
MORICONI B. Beckett e altro
MORRISON K. Canters and Chronicles: The Use of Narrative in the Plays of Samuel Beckett and Harold Pinter. Chicago: University of Chicago press, 1983.
MURPHY P.J. Reconstructing Beckett. Language for Being in Samuel Beckett’s Fiction. Toronto: University of Toronto press, 1990.
NORES D. (ed.) Les Critiques de notre temps et Beckett. Paris: Gamier, 1971.
O’HARA J. (ed.) 20 thCentury Interpretations of «Molloy», «Malone Dies», «The Unnamable»: A Collection of Critical Essays. Englewood Cliffs, N.J.: Prentice Hall, 1970.
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PERCHE L. Beckett, l’enfer `a notre port'ee. Paris: Le Centurion, 1969.